Information om | Engelska ordet WILLMAN


WILLMAN

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Exempel på hur man kan använda WILLMAN i en mening

  • He co-wrote and played on the song "Lobotomy" with Tyler Willman for the eponymous 1998 debut studio album of the band Calm Down Juanita.
  • Chris Willman of Entertainment Weekly wrote that the song begins with a "teasing snatch" of a "sputtering" Spanish guitar, before the disco beats start.
  • They disbanded in 1998 and then re-emerged more than a decade later to perform more shows in 2010, with Willman hopeful of releasing their third album.
  • Willman, Jarkko (1997): Ideal och verklighet: Hilma Granqvists studier av "Kvinnorna i Gamla testamentet" åren 1921–1925.
  • Los Angeles Times critic Chris Willman enjoyed the first three songs but lamented the "uncharacteristically frenzied rock 'n' roll climaxes" and "underdeveloped and overwrought" lyrics among the later tracks, describing the album as overall "just so-so".
  • The term gained public acceptance following publication of "The Darknet and the Future of Content Distribution", a 2002 paper by Peter Biddle, Paul England, Marcus Peinado, and Bryan Willman, four employees of Microsoft who argued the presence of the darknet was the primary hindrance to the development of workable digital rights management (DRM) technologies and made copyright infringement inevitable.
  • " Chris Willman writing for the Los Angeles Times stated the album "presents Maria McKee the person as something of an introspective, even introverted loner reeling from a romantic split.
  • Willman features the Weinstock Lecture Hall, a 150-seat tiered auditorium, the NASDAQ Trading Laboratory which provides students with direct access to real-time financial data from stock and commodities exchanges, and Yorkview Hall, a glass-enclosed corporate training center that offers fantastic views atop the center.
  • " Los Angeles Times critic Chris Willman wrote that, "some self-seriousness aside", the album "is an impressive piece of work in which Michael's rich feel for melodies and instinctively perfect production skills have finally met up with songs that have the ring of personal, not commercial, passion.
  • In the Los Angeles Times, Chris Willman wrote that Carey "attempts her share of girl-group pop amid the quasi-gospel melisma, though still not evidencing as much personality as talent in either style".
  • Chris Willman of Entertainment Weekly wrote: "It's official: Dolores O'Riordan is rock's most vapid lyricist", quoting O'Riordan's couplets "Birds in the sky/They look so high" from "Never Grow Old" and "Looks like we've screwed up the ozone layer/I wonder if the politicians cay-ay-are" from "Time Is Ticking Out" as examples.
  • " Chris Willman of the Los Angeles Times claimed that it "recaptures some of the slinky, insinuating feel of 'Billie Jean'.
  • Chris Willman from Entertainment Weekly said "Triumph of a Heart" was "peppy" and "most easily digestible" than the rest of the album and "tucked away at the disc's end" it was like a "reward for making it through the more challenging passages".
  • Chris Willman of the Los Angeles Times called the film "egregiously dull" and a contender for one of "the dumbest action pictures of the year", citing its "jarring shifts in tone, insurmountable plot implausibilities, rampant racial stereotyping, superfluous nudity and inhuman amounts of comically exaggerated violence".
  • " A critic from Now commented that "his flow is generic and instantly forgettable and his lyrics are trite, inconsequential and full of self-importance", while Chris Willman of Entertainment Weekly gave the album an F, stating that the concept of it is "about squandering Britney Spears' fortune.
  • " Chris Willman of Entertainment Weekly gave the album a B+, saying that Vedder's "passionate howl seems more valuable now, pitted against the navel-gazing emo whine that's commandeered the landscape," and he went on to say that "in a world full of boys sent to do a man's job of rocking, Pearl Jam can still pull off gravitas.
  • Chris Willman of the Los Angeles Times described it as "dynamically enunciated reading and maudlin string arrangement directly invoke Streisand".
  • Because of the album's upbeat subject matter, Wide-Eyed Wonder was called the Choir's "most marketable album," Wide-Eyed Wonder was heavily promoted in Christian media, and landed the band on the cover of CCM Magazine in May 1989, with the feature article written by Chris Willman, who originally introduced Spurs to the Choir.
  • Chris Willman of the Los Angeles Times found Howie Mandel's monster Maurice to be uncannily close to Beetlejuice although this film is for children.
  • " Chris Willman of Entertainment Weekly said of the band's change in musical direction throughout the record, "Mostly, though, their newfound malleability results in cravenly radio-baiting ballads like "I'll Keep Your Memory Vague" — a title that may also describe listeners' reaction to this forgettable fare.


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