Anagram & Information om | Engelska ordet SAROD

Exempel på hur man kan använda SAROD i en mening

• "Sister Awake" is an acoustically based arrangement on 12-string guitar, sitar, sarod, harmonium and goblet drums.
• In the latter half of the 19th century, the progeny of the rubab musician and Afghan merchant Ghulam Bandagi Khan endowed the instrument with metal strings and a metallic plate, elements that are characteristic of the contemporary sarod.
• Ali Akbar Khan (14 April 192218 June 2009) was an Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod.
• Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics.
• Over the years, the Shahjahanpur gharana contributed eminent sarod players such as Enayat Ali (1883 - 1915), Ustad Murad Ali Khan, Ustad Mohammed Ameer Khan, Pandit Radhika Mohan Moitra and Pandit Buddhadev Das Gupta.
• Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai, tanpura and santoor.
• Trucks plays an eclectic blend of blues, soul, jazz, rock, qawwali music (a genre of music from Pakistan and western India), Latin music, and other kinds of world music Trucks became a fan of Khan, a Hindustani classical musician known for his virtuosity in playing the sarod and popularising Indian classical music in the West, often in conjunction with sitar virtuoso Ravi Shankar.
• Here he laid the foundation of a modern Maihar gharana by developing a number of ragas, combining the bass sitar and bass sarod with more traditional instruments and setting up an orchestra.
• The first of these was a mix of the sarod, veena and surbahar, developed in 1948 by Radhika Mohan Maitra.
• It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound.
• Ustad Allauddin Khan was passing on not only playing technique but the musical knowledge and approach of the Maihar gharana (school); yet there was a definite trend in his teaching to infuse the sitar and sarod with the been-baj aesthetic of the Rudra veena, surbahar and sursringar—long, elaborate alaap (unaccompanied improvisation) built on intricate meend work (bending of the note).
• It includes two previously unreleased songs, two songs from her hunger benefit project (Everything is Everywhere) featuring Indian classical sarod performers Amjad Ali Khan, Ayaan and Amaan Ali Khan, two previously unreleased live recordings, and a compilation of other songs.
• Tapered pegs are common on classical Indian instruments such as the sitar, the Saraswati veena, and the sarod, but some like the esraj and Mohan veena often use modern tuning machines instead.
• He is usually backed by a santoor player, dholak player, sarod player, sarangi player, violinist, sitar player, tabla player and guitarist.
• His collaborations also include the Brit Award winning rock band Kula Shaker, Japanese Shakuhachi maestro Yoshikazu Iwamoto and Indian shehnai player Ali Ahmad Khan, with whom he recorded the first ever sarod and shehnai duet.
• His father Acharya Pandit Bimalendu Mukherjee was trained in a plethora of instruments including the sitar, sarod, surbahar, rudra veena, sarangi, and vocal music.
• The featured artists are Vidyadhar Vyas (vocal), Shruti Sadolikar-Katkar (vocal), Buddhadev Das Gupta (sarod), and Hariprasad Chaurasia (flute).
• Alain Johannes – vocals, marxophone, banjo, sounds, guitar, slide guitar, electric mridangam, horns, sigfiddle, tambourine, electric santoor, sarod, flute, soprano saxophone, engineering, mixing.
• His teachers include Dominick Argento and Paul Fetler at the University of Minnesota, Pauline Oliveros at UCSD, North Indian sarod master Ali Akbar Khan, shakuhachi master Masayuki Koga, and Balinese composers Nyoman Windha and Made Subandi.
• A fifth-generation descendant of the Bangash gharana (school or style) of sarod players, Hafiz Ali was known for the lyrical beauty of his music and the crystal-clear tone of his strokes on the sarod instrument.

Förberedelsen av sidan tog: 283,96 ms.